Pope Francis in St. Peter's Square, January 29, 2014. Photo: Glenn Belverio
Dear Francesco fanatics and pizza populists:
I was in Rome again in January for various reasons: Diane Pernet's fashion film festival. AltaRoma fashion week, to write a story about the Hotel Locarno and to visit friends. Here is a roundup of all my stories:
From l'Égypte to Gay Paree, here is my year in pictures...
Pyramid Club
Last February, at the suggestion of my friend Susan Sabet, editor of Cairo-based fashion magazine Pashion, I jetted off to Cairo to cover Susan's Cairo's Fashion Night at the First Mall of the Four Seasons Hotel. Of course I made the requisite trip out to see the Great Pyramids. Tourist numbers have been very low since the tumult that erupted in Cairo during the first anniversary of Mubarak's ouster, so my experience at the Pyramids was quite existential.
For years I've fantasized about visiting the Great Sphinx of Giza and I did find his gaze mildly terrifying.
"I am standing in the sun I wish that I could be a silent sphinx eternally. I don't want any past only want things which cannot last and I can't even cry though God knows how I try - a sphinx can never cry and sphinxes never die." - Amanda Lear, The Sphinx
During my stay in Cairo, my friends Ahmed and Daki of the jewelry brand Sabry Marouf took me on a whirlwind tour of Islamic Cairo aka Fatimid Cairo. It was definitely a trip into the past.
Ahmed took this photo of me, for some reason I was feeling sassy.
With Ahmed (pictured) and Daki for some traditional mint tea and sheesha pipe at al-Fishawi, the most famous ahwa in Cairo.
After we left Fatimid Cairo, we drove near to Tahrir Square and I jumped out of the Ahmed's car to take photos of this women's protest. They are protesting against the institutionalized sexism of the Muslim Brotherhood and their government-organized sexual assault. (They send teenage boys into the Square to sexually harrass women to discourage them from protesting.) Work it, sisters!
On another day, I had a very meditative visit at the Citadel of Saladin. This was my favorite mosque, because it has an understated elegance. It was completely empty save for a mullah who pointed out some details for me. Built in 1318, the Mosque of Sultan al-Nasir Muhammad ibn Qala'un is the only Mamluk (Egypt during the Middle Ages) work that Mohammed Ali didn't abolish.
Inside the walls of the Citadel.
An elegant gentlemen in the Al-Rifa'i Mosque, one of the "twin mosques" not far from the Citadel, where the Shah of Iran is entombed.
Susan Sabet, organizer of Cairo's Fashion Night, at the event at the First Mall in Giza. We sipped Egyptian champagne (which is actually quite good) and I met lots of interesting young designers and cosmopolitan Cairenes.
Ahmed and Daki of Sabry Marouf. They showed me their fantastic collection of neo-Pharaonic jewelry.
I work as a copywriter for Tiffany & Co. so it was fun to toast the Cairo boutique where I chatted with Hibba Bilal, the director of PR of the Four Seasons at the First Residence. I stayed at this luxe hotel for three nights--my room had a view of the Pyramids!
Hibba and I (and Ricky Martin looking over my shoulder) outside the Bulgari shop.
One of the craftsmen at the Azza Fahmy jewelry workshops outside of Cairo. Ms. Fahmy is the Middle East's leading jewelry designer and is known for breaking down barriers in design. In 1969, she became the first woman in Egypt to be permitted to train as an apprentice with the masters in Khan El Kahlili, Cairo's jewelry quarter.
After enjoying Cairo for 6 days (my visit to the Museum of Egyptian Antiquities was a standout), I jetted down to Aswan, located on the most beautiful stretch of the Nile, in the middle of the golden Nubian Desert. This view is what I woke up to every morning as I stood on the terrace of my royal suite at the Sofitel Legends Old Cataract Hotel. Agatha Christie wrote Death on the Nile here. At night, the only sound one hears is the drumming of the Nubian tribes on Elephantine Island, which you can see in the photo above.
During my stay in Aswan, I took an idyllic cruise in a felucca on the Nile. We sailed past the Mausoleum of Aga Khan.
Moi and the Nile on my suite's terrace. To my left is the original building of the Old Cataract Hotel, now called "the Palace Wing."
When one winters in Aswan, it is absolutely essential to visit the mind-blowing Temples of Ramses II in Abu Simbel, near the border of Sudan. A 3-hour drive through the Nubian Desert is required to get there. Because of the drop in tourist numbers, my arrival at the temples was quite surreal--I was the only one there! Not even a guard. Just two black dogs languishing in the sun. (Lucky for me they were friendly dogs!)
When I told Camille Paglia about it, she remarked that I must have felt like a British archeologist discovering it for the first time in the 19th century! More accurately, I felt like I was in a Ray Harryhausen film! All it needed was a Bernard Herrmann soundtrack.
Inside the Temple of Ramses II
A charming building in one of the Nubian villages on Elephantine Island.
My hotel wasn't keen on the idea of me wandering around alone in Aswan's Fatimid Cemetery (which dates back to the 9th century AD), but I went anyway. The caretaker of the cemetery took me on a tour of the graves.
The pièce de résistance was this tomb of an important imam, decorated with hsbd-irty, or artificial lapis lazuli, which is considered humanity's first synthetic pigment. It was developed in ancient Egypt during the Fourth Dynasty, c.2575-2467 B.C., when it used to decorate the tombs of the Pharaohs.
When the caretaker showed me this blue-dusted tomb, I was struck with a jolt of déjà vu. I then realized I had visited this site in a dream a few years ago.
Little Egypt
In July, I flew to Rome to cover Alta Roma fashion week for Diane Pernet. One of the highlights was our exclusive tour of the ateliers where the costumes and sets for the Rome Opera are created, at the Circus Maximus.
Even the fake set for the Mouth of Truth knows I'm a big, fat liar.
Below the Roman Opera ateliers is an ancient temple of Mithras. Popular before the Christians drove it out around the 5th century, the cult of Mithras was an all-male cult comprised of working-class and military men. After a bull was slaughtered and sacrificed, the animal's blood would pour down like a waterfall from the ceiling. As an initiation rite, the strapping, naked young military men would bathe and frolic and wrestle around in the deluge of blood. Now that sounds like a party!
I ran into fashion designer Paola Balzano at the A.I. Artisanal Intelligence exhibit at the show-stopping Palazzo Altemps, home of Angelica Library which, starting in the 17th century, became the world's first lending library.
Inside the library, Paola's dresses are up on the catwalk in the background. The skull sculpture is by Davide Dormino.
Musician Diego Buongiorno and I at the A.I. exhibit. Diego's latest piece is The Bush, an innovative project that puts both music and narrative together, which he devised, wrote, composed, arranged and produced.
After attending the sensational Jean Paul Gaultier show at Santo Spirito in Sassia (a communion-wafer's throw from the Vatican), we were invited to a dinner in Monsieur Gaultier's honor by Italian Vogue at the breathtaking Galleria Borghese. Above is one of the museum's most famous sculptures, The Rape of Persephone by Bernini. It certainly was a delight to be able to wander through the galleries at night while the museum was closed to the public.
Reunited: me and journalist Rebecca Voight arriving at the dinner.
We Are a Photograph
My biggest thrill of the night was meeting disco goddess Amanda Lear. JP Gaultier created the costumes for her recent one-woman show in Paris. I've been a big fan of her music for years. In September I read her amazing memoir, My Life with Dali. It is absolutely the best book to read while on holiday.
La Dolce Vita, Indeed
Dining under the stars: the enchanting table setting in the Villa Borghese gardens. I was over the moon for the caramelle arancia e cannella con vellutata di spinaci and the operatic sfogliata caramellata di millefoglie con crema chantilly e fragole, coulis di frutti di bosco. Yum!
One of the guests at the dinner was Simone Valsecchi. A true renaissance man, Simone has collaborated with Jean Paul Gaultier, Peter Greenway, Gianfranco Ferre and others and works as a stylist and also curator and collector of museum-quality dresses starting from the 7th century. He was a lender to the Museo Fortuny for the exhibit "Diana Vreeland After Diana Vreeland."
It was fun to see Susan Sabet again and we discussed the situation in Egypt at length during dinner.
Sisters Are Doing it For Themselves--and God
On another day, I was treated to a bespoke, hisory-laden tour of Medieval Rome by Roam Around Rome, a boutique tour company. Our first stop was the Basilica of Santi Quattro Coronati--the 4 Holy Crowned Martyrs.
The Basilica's hidden Romanesque cloister.
Paolo and Antonio of Roam Around Rome.
Ceiling of the Basilica di San Clemente, founded in the 4th century.
One of the main reasons to come to Rome, it goes without saying, is the food.
(She's In A) Bad Mood
On my last night in Rome I attended the opening of the new Ermanno Scervino boutique. Asia Argento, whom I adore, was there promoting her album Total Entropy.
Before Asia arrived at the party in a burst of glorious punk-rock impudence, as if she had been shot from a cannon, the soiree was a rather soigné affair. Men in expensive suits and women dressed as if they had raided Halson's closet floated in circles around the crowded room through champagne bubbles and a DJ set of fabulously louche '70s disco. Such a refreshing change from the typical New York fashion party, where douchey faux-hemian "DJs" try and fail to spin their way out of a wet reclaimed hemp paper bag...and everyone is dressed like they're competing in a Chloe Sevigny costume challenge.
The DJ booth at the party which doubled as Asia's stage.
In New York we have a plethora of bland, generic Duane Reades. Rome has this. (Located next to Leon's Place, the official hotel of Alta Roma this season.)
Sunset at the Temple of Vesta.
I always go to Europe for holiday in September and this time around I went to Paris to visit friends. Frédéric lives in a glamorous penthouse with a vast terrace that overlooks the Eiffel Tower. I offered to make us some of my world-famous Belgronis™ but since Frédéric had limited spirit options, we went into War-time rationing mode. We made do with some gin and red vermouth. Since he didn't have a proper cocktail shaker, I had to mix the cocktails in a wine decanter with a swan-like neck. Not easy to get the ice cubes in there! But we ended on a high note by drinking my Belgronis™ from Fréd's Christian Dior crystal tumblers.
The view from Fréd's terrace at night.
I stayed for two glorious nights at the Hôtel de NELL in the center of Paris. The star of my room was a Japanese bathtub carved out of a single block of raw marble, bathed in natural light. The tray, seat and footstool are made from the lightest Oregon myrtlewood. I thought the seat was a bit strange but then again, I've never taken a bath in Japan!
I dined in the NELL's formidable restaurant, La Régalade Conservatoire, with Rebecca Voight. I chose as my main the scorpion fish fillet cooked in a bouillabaisse with snow peas and shaved fennel. Supèrbe!
Meanwhile, at the Folies Bergère the gilded tuchas of the iconic Art Deco can-can dancer was being polished for maximum shine.
Because it's just not a trip to Paris unless you drink Champagne with Diane Pernet at Café de Flore on the Rive Gauche.
Diane & Akiko Hamaoka, the Mayor of the Marais. And Lemon!
Après Champagne, Diane and I embarked on a magical mystery tour of Paris with Akiko. One of our stops, L'Hotel, was where Oscar Wilde uttered his (disputed) last words, "These curtains and I have been fighting a duel to the death. One of us has got to go" or "Either this wallpaper goes or I go." Or, more likely, "WHAT a DUMP!"
We passed by the majestic Tour Saint Jacques and Diane was amazed that she actually walked through tourist-y Les Halles, where she was barraged with gawking gasps and boorish commentary. But Diane is stoic, as am I, so it rolled off her like water on a duck's back. And we had a good laugh and exercise.
I think this might be how the day started out: the healthiest vegetarian lunch you can possibly imagine at The Tuck Shop. This zucchini soup rocked my world.
The divine Puurple Rain! She works hard for the money at the TUCK SHOP (which she co-owns)! Bringing vegetarian delights to the Croque Madame-stifled masses....
On my last day in Paris, I had lunch with the delightful Angélique Bosio, director of the terrific documentary on Bruce LaBruce, The Advocate for Fagdom. I (and my alter ego) appear in the film and Angélique interviewed me for it in 2009 when I was staying in an apartment in Pigalle.
See if you can guess which one is moi in this trailer:
After my high-end stay at the Hôtel de NELL, I schlepped my cookies up to Montmartre and checked into this very homey bohemian flat that was discretely tucked away in the Passage de Abbesses. Backstage photographer Sonny Vandevelde turned me onto it.
Renting an apartment means having your own kitchen to make dinner: salad, baguette and cheese from the fromagerie around the corner. Rich and perfect morbier and pesto gouda which I only bought because of the color (the pesto flavor was too overwhelming.)
One day I had brunch with the boys--fashion designer Teddy Parra and his partner, the actor Jean-Luc Bertin--in Le Marais. I paid a visit to Teddy's boutique--where he designs and produces splendid made-to-measure men's and women's clothing--and this book was displayed in the salon. Le bulge seems to upstage everthing else in the photo.
Dali in Montmartre
I went to my friend Nancy's favorite Moroccan restaurant and on the way back I of course had to take a photo of Sacré-Cœur Basilica, or "the giant baby bottle for angels" as one anonymous poet once put it.
After Paris, I jetted over to Vienna to meet up with my friend Carole Pope and to attend MQ Vienna Fashion Week.
Detail of my suite at the 19th-century circus-themed 25Hours Hotel.
Amazon alert! MQVFW organizers Elvyra Geyer and Zigi Mueller-Matyas.
Taking in the sights backstage at the Tiberius show.
Moi avec champagne et Tiberius ostrich-leather gloves in the VIP Tent at MQVFW with Tiberius designer Marcos Valenzuela.
Carole and I paid a visit to the atelier of Austrian couturier Susanne Bisovsky and it was quite a treat!
Susanne's enviable high-ceilinged kitchen is a riot of cookie tins collected from flea markets all over the universe.
After our atelier visit, Carole Pope and I sank into some sublime apple strudel at my favorite cafe. Yes, dolls...this is MY joint in Vienna.
The cafe is tucked away behind Vienna's famed opera house.
On another day, Carole and I were treated to a rather grand vegetarian lunch at Tian in the center of Vienna. The multi-course meal included this "tea" of tomatoes and basil that was simmered in a Japanese coffee pot.
The dizzying array of dishes at Tian kept soaring higher and higher to new artistic heights. While this salad resembles a Cubist painting, it's meant to mimic a game of Tetris. Bravissimo!
J'Adore the old storefronts of Spittelberg.
Elvyra and The Shit it girl, Bonnie Strange in the VIP Tent at MQVFW.
I took my September holiday in Paris this year to visit Diane Pernet and other friends and then onwards to Vienna for MQ Vienna Fashion Week 2013. Here is a roundup of my stories from A Shaded View on Fashion:
Last month, I was in the glorious city of Rome--back after a 3-year absence--to cover the Alta Roma fashion week for A Shaded View on Fashion and partake of the city's myriad earthly and heavenly delights. Live! Live! Live! as Mame Dennis was fond of saying. Here is a round-up of my stories from the Eternal City on Diane Pernet's site:
I wintered in Egypt this past February and had a fantastic time discovering Cairo and Aswan for the first time. Here is a roundup of all the stories I posted about my trip on A Shaded View on Fashion:
Iwas recently in Kuala Lumpur for Malaysian International Fashion Week where one of my self-appointed assignments was to report on contemporary Muslim fashion in a country where Islam is the state religion. Of course, Malaysia is more liberal than many Muslim countries, so here women are not required to cover their faces (only their hair--the catwalk look above is meant to reference a broader aspect of Islamic attire).
So I was delighted to find out that the Islamic Fashion Festival, founded in KL in 2006, was being presented at fashion week. The festival, whose slogan is "Discover the Beauty of Modesty", has a website which provides some intriguing analysis of Islamic fashion: "When she covers herself, she puts herself on a higher level and respect for her intellect, her faith, and personality will take precedence over her beauty."
Sounds a bit like what American feminists wanted in the '70s and '80s, minus the covering-up and faith parts. And then there was the advent of "intellectual fashion" from Japan and elsewhere in the '80s--the decidely sexless yet beautiful designs of Yohji Yamamoto, Rei Kawakubo and others. But the philosophy of the Islamic Fashion Festival--whose goal is to create a forum for intercultural and interreligious exchange--combines a pre-pro-sex feminist attitude with unwavering religious commitment and political discourse.
"The myth of the conquering sword must be laid to rest; a new iconic narrative must carry the story of Islam. The black hijab itself is emblematically decried as a symbol of oppression instead of being accepted as a cultural and personal expression of modesty....The terrorist's mask overshadowed the real face of Islam."
Back in 2001, Spanish designer Miguel Adrover was pilloried by half-baked feminists and misguided Zionists in the New York fashion establishment for both his Egyptian collection (Hal Rubenstein denounced it as "anti-Semitic") and a subsquent collection inspired by Islamic clothing. The latter had the misfortune of being shown on the day before the 9/11 attacks.
In a surreal moment that I'll never forget, I had an argument about Miguel's Islamic-themed collections with Hilary Alexander, who pens fashion for the right-wing rag The Daily Telegraph. We were at the Marc Jacobs party near the foot of the World Trade Center on the eve of the attacks and Hilary was denouncing Miguel's vision with the usual Western-centric argument about "women's oppression."
"When Hussein Chalayan did Islamic fashion he made it modern and sexy by pairing the chador with mini skirts," she opined. I told her it was unrealistic to think that an ironic gesture shown on a runway in Paris or London would "liberate" Muslim women from their countries' dress codes. When I pointed out that what Chalayan had done was really postmodern and not "modern" she retorted, "Well, Miguel Adrover's collection was PRE-MODERN!" and then she turned on her Louboutin heels and stormed away. And there you have it: a prevelant Western attitude. Islam is "pre-modern" and primitive. But fashion will "liberate" us all. (A dubious assertion that "Sex and the City 2" tried to make.)
Immediately after 9/11, people in the U.S. press began referring to Miguel's beautiful but ill-fated clothing as "the Taliban collection", demonstrating how very little Americans knew about Islamic culture before 9/11. Miguel essentially became a lightning rod for benighted fashionistas' fear and anxiety about Islam. I was one of the first journalists to leap to Miguel's defense.
In an article for DUTCH magazine, I interviewed a bunch of designers about how they were dealing with 9/11 (which happened right in the middle of fashion week). In defense of Islamic clothing, Miguel told me, "There is so much pressure for women to be sexy in America. I think a Baywatch bikini is more oppressive than a galabieh." I've always been struck by how much truth there is in that statement.
Of course, it now must be reiterated that Malaysia is one of the most liberal Muslim countries in regards to women's human rights. I'm not endorsing the repressive controls imposed on women in Saudi Arabia (or, for that matter, the anti-Semitism that is preached by some of the imams there) and I am still haunted by video footage of women rendered inhuman by burqas and viciously beaten by members of the Taliban in Afghanistan.
Women's image and identity in Islam differs from country to country. And I do not approve of the meddling by condescending and imperialistic Western feminists and politicians on the issues of women in Islam. Therefore, I am pleased by the discussions launched by the Islamic Fashion Festival in Malaysia and hope they will broaden people's perceptions in and outside of the Muslim world.
Above: The spire of the Mole Antonelliana--once a Jewish synagogue, now the National Museum of Cinema--peeks out over one of Turin's grand piazzas. The Mole is the tallest (and most surreal) museum in the world.
Dear sweet-toothed Satanic Socialists,
Last month, after my trip to Barcelona for 080 Fashion, I jumped on a pond-hopper and headed over to Turin to visit my friend Barbara. Elegant Turin, the capital of the northern province of Piedmont, is like a heady mix of Paris, Vienna and Rome--without Rome's chaotic traffic and parade of tourists. Besides being the former home of Fiat and the eternal home of Christ's alleged shroud, Turin is also the witchcraft capital of Italy: it's part of the black magic triangle shared by London and San Francisco, and the white triangle with Prague and Lyon, France. Nostradamus, history's most famous seer, lived here in 1556 and Dom Bosco, the mystic who, in 1883, prophesied the building of Brasilia, was from Turin. Legend has it that beneath the city is a vast network of tunnels and catacombs that Turin's witches, past and present, use for their secret activities.
Above: Two views from Barbara's apartment--wonderful ochre-colored 18th-century houses line the street. Barbara lives in a neighborhood that is populated by both aristocratic families and young left-wing activists. I'm not sure how well they all get along or what percentage of them are witches. (For the record, Barbara is basically in the left-wing camp....one of those modern Marxists whose bookshelf is crammed with books by both Candace Bushnell and Fidel Castro).
I love the elevator shaft in Barbara's building.
Starbucks, Dunkin' Donuts or.....an exquisite 18th-century cafe with gorgeous Venetian chandeliers, fresco-painted ceilings, perfect coffee and artisanal desserts? Which do you prefer? (Then again, Starbucks and Dunkin' Donuts are probably not owned by the Mafia).
Barbara and I outside Al Souri where we met her friends for apertivos and vino.
Me and Francesco
Apertivo e vino time at Al Souri
Later, we had an excellent dinner at Trattoria Ala, a traditional Tuscan trattoria. Among the many things I ate (including a plethora of apertivo platters which whizzed around the table with dizzying frequency) was this heaping plate of homemade tortellini al ragu. For dessert I had something that I can only describe as chocolate flan which I still dream about every night. It was an orgasm on a plate.
Dinner at Trattoria Ala. The woman in grey is my friend Elena. She was also one of the publicists on the 2004 trip to the Alps and brought up the story about how I was freaking out about the avalanche alert in a valley near Alagna. (It was HIGH that day!)
Antonello and Franceso
I was very amused by Antonello's many raucous anecdotes.
Above: Let Them Eat Shit. Haute-bourgeoise eatery, Ristorante del Cambio
Funny story (for those who missed the discussion on my FaceBook page): While we were having our traditional dinner at this very homey trattoria, a revolution-of-sorts was raging on the other side of town at a very swank, very expensive restaurant called Ristorante del Cambio, which has been open since 1757. On my first trip to Turin in 2004--a press trip to visit the nearby Italian Alps--Barbara, in her role as publicist, took me to dinner there. The meal was a whirlwind of top-tier champagne, foie gras, caviar, fritto misto which included several deep-fried, vital cow and antelope organs, and desserts the size of Marie Antoinette's bouffant. (I get nostalgic thinking about how I acquired my first case of gout there--because you know I adore the diseases of the upper classes).
One of the unique details about the restaurant is its view of Turin's City Hall across the street (which you can see in the photo above). There is one seat in the restaurant--the "seat of power"--which affords the best view of the government building. During the 19th century, several of Turin's mayors would sit here during their term, whiling the day away with wine, fricasseed calf brains and idle conversation. If there was some kind of emergency, like a witch who needed to be burned at the stake or a peasant revolt, one of the mayor's pages would stick his head out the window and beckon the mayor back to his more official office. (On the night I dined there, the woman who was the head of the Winter Olympics committee was in the seat of power--of course).
So, on the recent night we were all having our cozy dinner at unpretentious Trattoria Ala, a group of masked anarchists burst into del Cambio during peak dinner time, armed with huge baskets. While screaming anti-rich slogans, the anarchists began flinging shit and bloody animal guts at the well-heeled diners. Yes, you read that right: Shit. And bloody animal organs. One can only imagine the chaos that must have ensued.
The next morning, Barbara's friends and I were poring over the front-page article in one of Turin's papers (which must go to press rather late, because the article was very thorough) and that's when I realized how anti-elitist Barbara's friends are. (Because, I realized, Turin's hip, left-leaning 30-somethings wouldn't normally be caught dead at el Cambio. And in this economic climate, it's just considered extremely gauche to dine there). As we read the article out loud one of Barbara's friends, who works in the restaurant industry, was laughing hysterically and mimicking the imagined reactions of the rich, Chanel-clad women who must have been dripping in (horse? human?) manure as tables laden with chateaubriand and status bags were overturned in the chaos. I joined in by rattling off a list of shit-stained designer outfits that were surely now being schlepped over to dry cleaners all over the city by hapless servants. The anarchist attack would have been a great scene in a film by Luis Bunuel--or John Waters.
Apparently Dante is now being revisited as a nazi? What will those wacky Italian anarchists think of next?
Al Bicerin is one of the most famous places in Turin as it has been serving up a delicious potion of chocolate and caffeine known as the Bicerin since 1763. Barbara dragged me out of bed early one morning so we could meet her father here over a round of Bicerins (I also had a sinfully decadent chocolate-and-hazelnut torte smothered in warm chocolate sauce, so you can imagine the chocolate rush I was on...worth getting dragged out of bed for). At the dawn of the 19th century, the building and interior were renovated and everything inside the cafe--the counter, the marble-topped tables, the wood paneling--are all intact and present in the space today.
Barbara's father is a brilliant professor and luckily I was all hopped up on chocolate and caffeine because he subjected me to a battery of questions about Obama, Clint Eastwood (Italian intellectuals think Eastwood is a closet leftist. Ditto for Bruce Springsteen), my work as a gonzo journalist (he rattled off a list of all the important works of gonzo, from Hunter S. Thompson to Tom Wolfe), and the oeuvre of Antonioni.
Behold, a quartet of Bicerins. The recipe to this irresistible concoction has been carefully guarded for centuries. It's a hot mix of espresso, chocolate (the exact nature of the chocolate is part of the carefully guarded secret) and fresh cream which are all layered, and not mixed, in a tall glass (even though "bicerin" technically means "small glass") . If I could, I would bathe in it daily. Legend has it that the drink was invented at Al Bicerin but detractors claim it surfaced earlier, in 1704, at Caffe Fioro, which still stands on the Via Po. (I believe I had my first Bicerin there in 2004 because Al Bicerin was closed on the day of my visit).
After our meeting with Barbara's dad, Barbara's boyfriend, Francesco, picked us up and we all rode over to a rooftop barbeque. Here you can see how close the Italian Alps are to Turin.
Me on the roof enjoying my first cup of Piedmontese red wine--the first of many. We all had to write our names on the plastic cups with a magic marker to avoid confusion (easy to become confused when you're drinking red wine in the Italian afternoon sun!) and I wrote "GAY WOODY ALLEN" on mine. That was the nickname Barbara gave me when we went on the press trip to the Italian Alps in 2004 because she thinks I'm neurotic. A ski trip had been planned and we all went to a ski shop to select our skis--except for me. I nervously wandered around the shop muttering to myself, "I don't want to die like Sonny Bono" and Barbara was like, "Glenn, are you okay? You look very pale!"
Then we rode to the tippy-top of Monte Rosa, the tallest mountain in the Italian Alps, and I must have looked scared because everyone was laughing at me. Later at the ski lodge atop the mountain, where I was extremely light-headed from the altitude, I had a cup of warm red wine and you can just imagine. Barbara and the rest of the PR team placed me in a coffin and slid me down the mountain. Inexplicably, I woke up several hours later, wearing nothing but a small Frette towel, in the steam room at the Blue Sauna Club.
A view of the Mole from the rooftop barbeque.
A mini-scandal broke out during the BBQ when everyone began realizing that there was an Iranian and an American at the party. Time for a peace summit! The Iranian woman, Bita, was dragged over to me and suddenly we were surrounded by cameras, including a TV camera (I think someone was making a Godard-esque documentary about the BBQ). We embraced in full view of the cameras to show that there were no hard feelings between our countries (someone should send the footage to Obama so he can see that I'm doing my part for diplomacy). I opined that I thought it was arrogant of the US to tell Iran that they weren't allowed to have a nuclear bomb, but Bita said she thinks her president is just too crazy to get his hands on something like that. The debate didn't go much further due to language barriers. (Will someone please buy me the Rosetta Stone for Italian? I can't afford it).
Barbara and Elisa
The food served at the BBQ was super-yummy: barbequed spare ribs and sausages, bruschetta (nothing like a fresh tomato grown in Italy), grilled eggplant and luscious tiramisu. For some reason, both Barbara and I both forgot to take pictures of the food. I guess we were too busy eating it!
On my third day in Turin I wandered around the city to enjoy the lovely weather and admire the city's beautiful facades. But it wasn't just a day of idle flaneur-ing....I was on a mission: To visit Turin's "dark heart," the focal point of the city's black magic energy.
Turin's so-called "dark heart" is located here, in the Piazza Statuto. At the end of the square is this rather bizarre monument.
The monument, which features a dark angel hovering over men trying to climb to the top, is a memorial to the workers who died building the Frejus Train Tunnel, a tunnel that linked Italy to France by rail. But many denizens of Turin believe the monument also represents something else....something more sinister.
The five-pointed star, a pentagram, on the angel's head is considered a clue that the angel is actually Lucifer himself. A rather beautiful Lucifer, I might add.
The Piazza Statuto has a dark past. The Roman and Medieval-era gallows were located just a few yards beyond the square and the ground beneath the monument is a millenniums-old necropolis. The Romans adhered to the Egyptian philosophy that the west, where the sun sets, is the most appropriate place to bury the dead. Many residents of Turin maintain that a sewer manhole cover near the monument (which I think I found, but there were a few) is actually the entrance to the Gates of Hell. Considering all the evil energy that is said to exist here, there were many Turin residents relaxing during their lunch hour on park benches in the piazza. I rested there for a few minutes and didn't feel uneasy--but then again, I've always had a soft spot in my heart for Lucifer.
However, if I had known, I would have visited the "light heart" or positive energy spot of Turin to balance things out. During a night drive, Barbara's boyfriend, Francesco, pointed the spot out to me: a gate entrance in the Piazza Castello, where the Shroud of Turin is publicly displayed. It's said that if one stands between the stone walls of the entrance, they receive a jolt of positive white magic energy. I wonder if the kick is as strong as the one I got from drinking a Bicerin...
My next stop was the Piazza CLN (Comitato di Liberazione Nazionale). This was actually my third time visiting this piazza, but on previous visits, it was always under partial construction. The piazza is famous for the two fountains and statues (whose feet point at each other) that represent Turin's two rivers: the Po and the Dora. The male statue (above) is Po.
And here is Dora. If you're a fan of Dario Argento's 1975 giallo film "Profondo Rosso" ("Deep Red"), you'll recognize the piazza as one of the film's more distinctive locations. (The entire film was shot in Turin). This is the piazza where David Hemmings' character witnesses the murder of a Swedish psychic in an apartment overlooking the square, to the left of the Po statue. A few yards back from that spot is where Argento erected a '40s America-style diner/bar based on the Edward Hopper painting "Nighthawks." Because Argento used this location as one of his most famous sets, Piazza CLN is often referred to as the "Piazza Profondo Rosso" by Turin residents.
A day without running into Perseus holding Medusa's head is like a day without sunshine....
These gnarly trees had a bit of a witchy vibe.
So on my last night in Turin, Barbara announced that we would be having dinner at a "clubhouse" where she and her friends went on most Monday nights. I can't remember what she said exactly that made me respond (jokingly): "Haha, sounds like a COMMUNIST clubhouse to me!" and "Will we be having dinner with the anarchists who stormed del Cambio the other night?" Barbara was all like, "No, no, no! It's not at all communist! It's just a laid-back place that we all like to go to." I believed her until we arrived at said clubhouse and contrary evidence immediately began rearing its red head....
Exhibit A: I think this speaks for itself, yeah?
Exhibit B: Agitprop poster with a quote from Karl Marx
Exhibit C: Painting depicting Marxist-Leninist rebels engaged in battle
Exhibit D (my favorite example): Even the wine was Communist! Check out the Workers Unite! style logo on the label. Needless to say, this wine was terrible. (We switched to something more palatable). I can't remember what I had--I think it was a northern-style pasta dish, some thin slices of deliberately fatty pork on slices of toasted bread and a big salad--but the food was quite good.
When I spotted this photo on the wall, I exclaimed, "I'm a big Elvis Presley fan!" and everyone stopped, stared at me, and then laughed for several long minutes. No, this is not Elvis--it's someone named Fabrizio De Andre, a singer, songwriter and revered intellectual (and a Communist, no doubt). A recent exhibition in Genova, where the singer was from, celebrated his life and work.
And OF COURSE Satan herself made an appearance at the Communist Clubhouse....Ronald Reagan and Jesse Helms must have been spinning in their graves that night!
On the drive home. Francesco took me to see this metal sculpture which was designed by my favorite architect of all time, Oscar Niemeyer . However, I'm not finding any information about it on the web. Does anyone know more about this piece? Behind the sculpture, one can see the old Roman walls and gate of the city.
I was really spooked out when I walked over to get a picture of the Roman walls. I heard strange noises coming from the other side of the gate and, fearing that I would be the next victim of a Satanic sacrifice, I high-tailed it back to Francesco's car.
Our final stop was a very sinister-looking apartment building that is adorned with dozens of dragon statuary and other wicked details like bronze salamander door handles. Sorry my photos aren't better, my flash was not doing a good job of capturing the dragon details. I totally want to live in this building!
I hope you enjoyed my bloggy tour of Turin--there is really so much more to see but I had to leave on the 4th day for Seoul. (Barbara was a fantastic host, btw!) Thanks for reading!